‘CHRISTOPHER JOHN Trevor Midgley was born in
May 1946 at the Buckingham Nursing Home, Cardigan Road, Leeds’.
That’s the gist of the announcement the folks placed in the
Yorkshire Evening Post late that month to celebrate my arrival.
Actually, I screwed things up from the first. I was three days old when a
nurse picked me up from the cot and accidentally scratched my face with her
watch-pin. Some bug got in through the wound, and all my skin peeled off. Bad
news for one and all! This thing was so infectious, another new-born picked it
up and died. My mother went home slimmer but still child-free, and I was shunted
off to Killingbeck Hospital For Sick and Skinless Kids for three months to grow a
new outer layer.
As for the poor old Buckingham Nursing Home, the Health Authority shut it
down. It stayed closed for over a year, only re-opening in 1947 when the
powers-that-be were sure that all unhygienic pricks were a thing of the past.
I have to say at this point that the decision to re-open the Buckingham was
fully vindicated when, in November 1947, Sandra Elizabeth Baker was born
there. Twenty-one years later, Ms Baker became Sandra Midgley.
Around this time, I also began to enthusiastically hammer on my grandmother’s
upright piano.
At the age of seven, I moved from Brudenell Road to Queen’s Road School. I
was in Mr Addleman’s class (sensible fellow, he quickly emigrated to Australia)
and, to the best of my memory, he was a very nice guy. As a kid however, you
needed to be a bit more streetwise at Queen’s Road than at good old Brudenell.
It was here I came across Morris Ford, a pint-sized thug who for a short time
was my friend (believe me, it was better that way than to have him as an
enemy!); Maurice Lee who shared my birthday, and later had a thirty-year career
with the comedy / rock band, The Grumbleweeds; and the excellent David
Austerfield. David could fold his ears in on themselves. I’d never met anyone
before who could do that, and I’ve never met anyone since. So, with my humble
talents from the Brudenell Road urinals well and truly eclipsed, I was not sorry
when, at the age of eight, my parents took me out of Queen’s Road and moved me
to ‘the finest school in the North’, Leeds Grammar School.
I WENT TO MY FIRST SCHOOL, Brudenell Road Infants, when I was five years
old and stayed there for two years. I broke my leg, the King died, but apart
from that not much happened. By the time I left Brudenell, I was pretty good at
reading, and at sums, but more than that I had discovered that I could urinate
higher up the toilet wall than most of my classmates. Such things were important
at Brudenell Road in the early fifties, and my skills were properly appreciated
and admired by the discriminating elite of Miss Hall’s class.
1954 WAS SIGNIFICANT for another reason. My mother took
me to the Leeds Empire to see a crooner by the name of Lee Lawrence. I can
honestly say that Lawrence’s performance was the most tedious, mind-numbing,
soul-destroying experience of my life to that point. (Since then, of course,
I’ve seen Engelbert Humperdinck… but I digress.) I knew that I liked music, but
I also knew that I loathed Lee Lawrence and all his mealy-mouthed
sentimentality. There had to be more to music than this. Two years later, I
found out what it was.
I was the proud owner of two Dinky racing cars. One was a Maserati (Italian,
a bit trashy, and garishly red); the other was a cool Cooper Bristol in British
Racing Green. At breaks and lunch times, these were raced against each other and
various Alpha Romeos and Jaguars down a dry mud gully in the grounds. One kid -
I really don’t remember his name, but he was the same age as me and a bit bigger
- accidentally stood on my Cooper Bristol. An argument followed, and it seemed
that I was going to get the worst of it. Size does matter, you see; probably
even more so when you’re eight. So, I did what any ex-Queen’s Roader would do; I
hit him over the head with a piece of slate. Then I ran.
In fairness, there was more blood than damage. He made a lot of noise, but I
was quite convinced I’d got away with it. Whichever way you looked at it, the
assault was totally justified; anyway, the howling crusher of Cooper Bristols
wasn’t even in my form.
When the class re-assembled following the afternoon break, Miss Jones, the
Form Mistress, seemed troubled.
"I am told", she said "that someone from my form" - she repeated the words
more heavily - "from my form, has struck a boy from Junior Three this lunchtime.
Whoever it is, I want him to own up."
Now, I was only eight. I was naïve; but I wasn’t that naïve. She didn’t seem
to know it was me. I was in the clear; after all, I’d come back into school from
the opposite end of the playground. So I looked round with everybody else to see
who the culprit was, and said nothing. She asked again, and once more I swung my
head this way and that, keen like the rest to know who had done the foul deed.
"Then if no-one will own up, the whole Form will stay behind for half-an-hour
after twenty-past-three", said Miss Jones.
"It was him, Miss. It was Midgley", piped one Tim Wood, apparently appalled
at the prospect of a further half-hour in the J1 classroom. To my knowledge Tim
Wood is still alive today, though doubtless he has been tarred and feathered as
a scab, or convicted of treason some time over the last fifty-odd years.
But two things happened, one bad, the other excellent. I was brought out,
bent over, and given my first taste of the slipper. That was the bad bit. So was
Wood, for being a sneak. That was excellent. I think it was from that point that
life, the universe and everything started to make a little more sense.
But I’m getting ahead of myself. The indescribable boredom of that Lee
Lawrence show in 1954 had left an open sore. Nothing soothed it. Not Guy
Mitchell. Not Frankie Laine. Certainly not Johnnie Ray. Then in 1956, out of
Memphis, Tennessee, came hope. Light from the darkness! ‘Heartbreak Hotel’! This
was it. The wound began to heal, and I clung on to that strange name; Elvis
Presley. I started to buy ‘Elvis Monthly’. A year later, my mind was totally
blown away when I heard Scotty Moore’s power-chord intro. to ‘Jailhouse Rock’
and Elvis’ opening howl ‘Warden threw a party in the county jail…’. At last, at
last. The pretenders were dead! Long Live The King!
Forty years later, I ran across Scotty Moore at a guitar show in Dallas,
Texas. He was a lovely man, but how could I put into a few words what four
chords played on an old Gibson guitar so long ago had meant to me. All I could
say was "Thank you", and he gave me a signed guitar pick. It’s not for sale.
But if the chapel organ incident was bad luck and bad judgement, leaving the
Corps was not.
In fairness, I did enjoy some of the military manoeuvres. Loosing-off with a
first-world-war .303 Lee Enfield was fun, and I actually got a marksman’s badge
for my skill with a .22 rifle. My marching orders came however after a perfectly
rational discussion with Company Sergeant Major ‘Slug’ Sleightholme, in which I
referred to our Commanding Officer, Major Sunderland, as a ‘toy Soldier’. It was
subsequently felt that my presence was ‘not conducive to good discipline’, and
for the remainder of my school career I had to attend the school library for
three hours every Saturday morning instead of square-bashing.
I have to say, I bore this punishment with fortitude, and did a little
experimental songwriting with fellow ‘librarian’ Jeff Christie, who a few years
later had a world-wide hit with his eponymous band and ‘Yellow River’.
I genuinely can’t remember whether I got four or five GCE ‘O’ levels; I know
I got the hell out of LGS late in 1962, even before the printed certificates
arrived. In the job market of the time, all that seemed to matter was having
Maths and English Language. I’d got both of them, so jobs were never a problem.
I was an attractive prospect at the time.
From around the age of fifteen, I had been gradually working my way through
the Seven Deadly Sins. Sloth I had perfected early on, and I was now well on top
of Gluttony. Copious amounts of Tetley’s Yorkshire Bitter, supplemented where
possible with whisky, helped push my weight up to sixteen-and-a-half stone
(around two hundred and thirty pounds). A nail-nibbling, two hundred and thirty
pound, thirty-five cigarettes a day, guitar-playing drunk may not sound ideal
material for a major financial institution, but then winning ways and a ready
charm can often see you through. ’Least, that’s what I think.
I remember when I first went out with Sandra Baker in 1963. Actually, I
inherited her from Robin White, rhythm guitar player with The Raiders, and
puller of renown. I turned up for our first date in a white linen jacket,
off-white trousers, cowboy boots, a black shirt with white tie, and a white
straw hat. Stylish indeed! I walked up one side of the road and she tried very
hard to walk up the other. But I was glad I’d made the effort. Strangely, it was
a long time before she agreed to a repeat performance; in fact, it wasn’t until
I got a couple of tickets to see Chuck Berry, live onstage in Bradford, that she
agreed to go out with me again. I think it was the tie that put her off, first
time around.
Shortly afterwards San and I got engaged, I left The Raiders to
follow other musical interests (that’s not crapspeak, by the way; that really
was the case), and I took one more decision. I would stop smoking, stop biting
my nails, cut out drinking altogether, and lose weight. And that’s what I did.
This wasn’t any sort of religious experience, or conversion on the road to
Damascus; I was as Godless then as I am now. It was just that I realised that I
was a prat. My mother took over what was left of a pack of Benson & Hedges.
The Woodman (now "Woodies" for heaven's sake!), Three Horse Shoes, and The New Inn noticed a sharp decrease in profits.
And I lost sixty-three pounds in four-and-a-half months. It was, as they say, as
simple as that.
Oh, and I made it to twenty-one.
Hmm, where are we now? 1976. I think it’s probably better if Beau and John Trevor take
up the story from here on, so let’s start wrapping things up.
In 1980, San and I moved south to Hertfordshire because the Halifax needed a
new man in Stevenage. Eventually, in 1995, I found myself District Manager in
the West End of London, based at Hanover Square which is just off Oxford Street.
Hanover Square is only a stones-throw from Stratford Place. Never heard of
Stratford Place? Check out Beau’s page and you’ll
see how things really do come full circle.
I left the Halifax on 31st May 1996. Just two weeks after my fiftieth
birthday, I became a person of truly independent means. Then I started writing a
book.
What’s next? Well, I’d love to tell you but I can’t; I’m sworn to secrecy,
you see. All I can say is, when it’s all done and dusted, you’ll be the first to
know. You’re just gonna have to watch this space…
MY FIRST MONTH AT LEEDS GRAMMAR SCHOOL was something of a culture
shock. It was made plain to me on Day Three that turning up at school with two
lesbian white mice in my pocket was considered anti-social. (My family were not
zoologists, and it took some time for everyone to realise why Jimmy and Jane had
no offspring.) The defining moment however came a couple of weeks later.
A YEAR LATER, aged nine, I moved from Junior One to Junior Four,
and for the first time met a lad called Robin White. A little later that same
year (1955), the Midgley family moved up in the world; to be precise, from
St. Anne’s Drive, Leeds 4 to St Chad’s Avenue, Leeds 6. Robin lived close by,
as did his friend and fellow Grammar School attendee, John Armistead. John (or
‘Tarm’ as he became known) was an unmistakable figure. Six feet tall (one metre
eighty-three) by the time he was twelve, Tarm eventually reached a height of six
feet seven-and-a-half-inches (two metres two). Unlike most big kids however,
‘the giant’ was, and still is, a true gentle man - in both senses of the term.
Midgley, White and Armistead it was who, along with a fourth Grammar Schooler
John Allen started The Raiders rock
group at the tail-end of 1959.
SUCCESS IS NEVER EASY TO DEFINE. During my eight years at Leeds
Grammar School I succeeded with many of the things that I considered important.
I became an enthusiastic smoker, avoided Games (Rugby and Cricket in particular)
to the best of my ability, and was dropped from the Corps Cadet Force for
insubordination. Sadly, my musical aspirations suffered a setback when I was
unceremoniously yanked off the organ stool and ejected from the school chapel
for attempting a spirited (though admittedly unauthorised) performance of ‘The
Dam Busters March’.
ONE NOTABLE THING happened in 1957; Beau first came into
being. But he’ll tell you all about that on his own page.
LIKE I SAID, success is never easy to define.
I BOUNCED AROUND LIKE A PINBALL for my first two years out of
school. Aside from earning money with The Raiders, I
worked for Albert A. Spencer in Leeds Market, Naughton & Bird, British Relay
Wireless, Alwyn Isherwood in Wakefield, and Tate Of Leeds before landing a job
with the Halifax Building Society in late 1964.
I WAS NEARLY NINETEEN when Ralph Sims, drummer extraordinaire with
the group, told me a truth that hit home. He said, "If you keep living like
this, you won’t make twenty-one". It sounds dramatic, but somewhere deep down I
knew he was right. So, after about five years of a sponge-like devotion to
alcohol, I cut the drinking to a bare minimum. Funnily enough, I didn’t miss it;
in fact, I felt better without it.
THE FIRST BEAU ALBUM was
released in 1969; later that same year Sandra forsook the sensible name of Baker
for the infinitely more clumsy Midgley, which to this day no-one seems able to
spell ("Is there an ‘e’ in the middle?". The best I ever had was a woman on the
phone who thought I was Italian - "is that MIJLI?". "NO MADAM, IT IS NOT…"). The
Halifax, displaying true Yorkshire persistence, decided I was worth keeping and
kept pushing me further up the tree. They kept me in Leeds for eleven years,
then put me in as Assistant Manager at their District Office in Sheffield; and
it was in Sheffield that John Trevor
really came into his own.
IN 1998, Desolation Row Promotions published my four-hundred-page
masterwork on Bob Dylan which I modestly titled ‘"DYLAN:
CONTRABAND" - What Every Fan Wants To Know About Bob Dylan’s Bootleg CDs’.
In my humble opinion, "DYLAN:
CONTRABAND" is an essential buy. I myself wouldn’t go anywhere without it…
Or you can e-mail me.
Or you can do both.
Hell, you’ve got this far: you can do ANYTHING…
The e-mail address is trevormidgley@ntlworld.com
| Midgley Family
Songs: - have we got a treat in store for you! HOME PAGE: - from whence all good things flow... The Raiders: Beau: John Trevor: "Dylan: Contraband": John Peel's "Dandelion" label: |